Record Store Day is harming, not helping, independent music shops like mine

theguardian.com:

Even in the age of social distancing, Record Store Day survived during the pandemic. After the 2020 edition was cancelled – it was scheduled for what became the middle of the UK’s first lockdown – the organisers staged separate release “drops” later that year, and again in 2021. You may have seen eager shoppers queueing outside record shops of all sizes up and down the country, wearing face masks as well as the usual thick coats and scarves to brave the pre-opening hours chill; perhaps you saw an obligatory news puff piece about how “vinyl is back” as the David Bowie and Prince estates scraped together yet another previously unreleased artefact.

This year, on 23 April, it’s a return to business as usual as record stores around the world celebrate the 15th annual Record Store Day (RSD) with help from Taylor Swift, its starriest ambassador yet (who’s releasing a seven-inch to mark the event). But what was once a shot in the arm for physical retail is now an albatross around the neck of the establishment it purports to help.

I run an independent record shop that predates both RSD and the internet. In the early 2000s, when physical record shops were decimated thanks to the rise of illegal downloads, RSD pumped millions of pounds through tills and undoubtedly turned a new generation on to the world of physical music. RSD is a remarkable event and its early years should be remembered as the revolution they were.

But 15 years is a long time in technology and retail. Peer-to-peer filesharing pre-empted the digital download and the streaming model. Plucky music blogs evolved into multimedia digital outlets. Even the most idiosyncratic physical record shops now reach a global audience via the internet. Record Store Day, meanwhile,